
Reading this week:
- Living’s the Strange Thing by Carmen Martín Gaite, translated by Anne McLean
- The Heart of the Matter by Graham Greene
Having rested well in the riad, it was time for our first full day in Fez. Fez is a phenomenal city because of, among its other charms, all the artisans that live and work there. Derek Guy at Put This On talks about the whole like, tailoring interconnected universe, where there is a whole ecosystem of people who specialize in different crafts that all operate in the background of any particular piece of clothing you wear. He worries about this system dying because people just aren’t buying the kinds of quality clothes that they used to. But man, it is alive and well in Fez. Everywhere you turn in the city, in storefronts and in little workshops down side alleys, there are artisans working on something or another, scraping leather or weaving cloth or sewing together shoes or chipping tiles or hammering metal. So of course we had to go see them. To do that we went on a Fez Artisans Tour that I can highly recommend (TripAdvisor here). When you arrange the tour they ask you the sort of stuff you’d like to see, and day-of meet you where you’re staying to take you around the city. After a little low-down in the comfort of our riad we were off!
One of the other notable things about Fez is that it is a car-free city (though occasionally you get some people on motorcycles), and so one of the first things our guide discussed was the logistics of the place. We had set off on our tour around 10am, when the city was still waking up, and thus we were treated to the wonderous sight of a garbage donkey. That is, there was a man going around picking up the garbage, and he was putting it into bags that were being carried by a donkey. A garbage donkey! It was great. As we wandered around we saw a good number of very well-behaved donkeys and mules so that was very cool.

The first artisan we visited was Said Akessbi, apparently the last person to make damascene in Fez. He may very well be the last ever, because, as he told us, he has only daughters and no sons. And all his daughters are in school, too. This was a little bit of a theme on our tour and was conveyed with some sense of sadness. Said was at least a third-generation damascener, having learned from his father and grandfather to take over the family business. To step back a couple seconds, damascening is the art of inlaying one metal on top of another to create patterns or pictures. We were told that he used to inlay gold into the steel objects, but that got too pricey so now he focuses on silver. He was working on a piece when we arrived (I assume he is always working on a piece). He scored the metal to help the silver stick, and then takes silver wire and hammers it into place. There is also a finishing and polishing process and creates just absolutely beautiful stuff, all in this tiny little alcove of a workshop. I bought a plate and my super amazing wife got some earrings and then we popped along to the next artisan.

The most famous sights in Fez are the leather tanneries. They are in the far end of the medina, tucked through doorways along a street of shops selling, of course, leather goods. As you enter they hand you a complimentary sprig of mint to try to cover up the smell. That smell is of rotting flesh and pigeon poop. The pigeon poop is used as an ammonia source to clean off the hides. I made good use of the mint sprig though my super amazing wife said it “wasn’t that bad.” The tannery is quite the sight indeed. The central feature are the tanning vats, but our guide told us the whole system is a co-op, instead of one specific company. A family might own a couple vats in which they process their own leather. Around the vats were arrayed other leather-related workshops and tanning steps. The whole thing was so very old-school. Besides the electric motor running the gigantic washing machine, you could have been transported there at any point from the centuries and not noticed. All of the work was done by hand, down to the man we spotted in an alcove scraping leather using a gigantic knife he pushed with his chest and sharpened every few cuts. Although most of the leather is tanned in the vats, to achieve a yellow color they use turmeric (they used to use saffron but that’s too pricey now), and this is done by spreading the turmeric mixture over the leather by hand. The yellow leather is used for slippers, and every day there is apparently a 1-hour auction where the slipper makers buy the leather they need. They later auction of the slippers they make as well.

The next things we looked at were what my super amazing wife was most excited for: textiles! Earlier we had actually poked into a store where a man on a loom was making cloth; he showed us some looming. My super amazing wife was impressed by a rope system he had to shoot the shuttle back and forth. We inspected some of his beautiful cloth and learned about agave silk, which I hadn’t known was a thing (I thought they had been talking about rayon when they said “vegetable silk”). Also I don’t have a great place to mention this but as we were walking through the city we saw some other cool sights, such as a store selling songbirds (which seemed popular in Fez), and most amusingly a chicken stand with a bunch of live chickens out front along with two cats very intently watching the chickens. But that journey brought us to Abdelkader Ouazzani, the last man in the city doing brocade. Alas, this poor man also had no sons, but he did have at least one apprentice. The fabric was so beautiful and vastly outside our price range. To make it, the master sat at the head of the loom doing the shuttle work and working the pedals. Meanwhile, the apprentice controlled the patterns (I think). There was an elaborate system of strings he pulled, which in turn would tug on a series of overhead cords. These cords controlled the particular loom arms (probably not the right term) which came up as the shuttle went through, weaving the threads in a particular way. I could see behind the apprentice whole different sets of strings, which must have been the different “programs” for the different versions of the brocade. You can see why someone got around to inventing punch cards eventually for the whole thing. His fabrics are very popular for wedding dresses, though not really very many people buy their wedding dress, instead renting them because it would be so very very expensive to actually own one of these outfits outright. I was very jealous and wish I could man.
The tour was not over at that point and sorry to fake you out on like a Part II of something that is already Part VI, but to be continued!




































































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