
This post continues of course my current little disjointed Florida series, but it also continues a survey of Tampa-adjacent art museums – I have previously covered on this blog visiting both the Dalí Museum and the Imagine Museum. Both those museums are actually in St. Petersburg, but we won’t split hairs. On this day we were in fact in Tampa visiting the Tampa Museum of Art to give us something intellectual to do on a sunny Florida day in late November.
The most significant part of the experience of going to the Tampa Museum of Art was the fact that we (my super amazing wife and I) went with my mom. As a youth, I do not recall my family going to art museums a whole bunch. This is not my mom’s fault, it is the fault of kids having such a heavy choice in the selection of museums, by which I mean my brother always wanted to go to the Natural History Museum but if I had a say in the matter we would be going over to the Air & Space Museum. I think if dad got to pick we went over to the American History Museum, and mom’s influence was generally being in favor of any museum that would keep either the kids or dad from getting too rowdy. All of which to say that although it’s not like we haven’t taken mom to art museums before (see my first two links), it is always fun!
And the Tampa Museum of Art has quite an eclectic collection. Thinking back, the eclecticness is probably my major recollection. The museum’s website has that habit of particular museums that I am disappointed by, i.e. they have only a tiny portion of their collection viewable online, so it will be hard to show you some of this, as a heads up. The bulk of the museum is up on the second floor, and exiting the elevator we were deposited in a small section of I think recently acquired contemporary works. The first ones I took photos of were by Ya La’Ford and Paul Devoti. The piece my mom particularly liked, which I cannot find online because I did not take the right photos, was a large photographic artwork titled I think “Tod’s Liquors.” This was a I think you would call it a surrealist piece, a photo of the eponymous store but with out front a whole bunch of people designed to exude character. It would be seedy if it weren’t so sunny and my mom liked it a bunch. Maybe that says something about her psyche. This is a swerve for her because while that was up there in her favorites list, her actual favorite was a much less surprising pick by Emile Gruppe titled “Winter Stream.”

I mean look at that thing, that is much more a mom piece of art. This piece was in the second part of the museum we wandered through in our rectangular journey (the museum is mostly on the one floor, and you go around the perimeter), a long gallery of various impressionists and closely related artists. I feel like I am about to say I didn’t know the earth went around the sun here, but I’m not sure I was aware there were particularly any American impressionists. But there were and they were pretty good. As you walked down the gallery the impressionism came into focus with a number of artworks more in the Hudson School vein. The bits I liked the most though were the most Florida bits, which were paintings of the swamp. There were some really great ones! I feel like capturing say a sunset over a river valley nestled amongst mountains is a difficult skill but a widespread one as you got all these American artists roving the West learning from each other on how to paint that, but how many artists were honing the ability to evoke the particular choking depth of a cypress grove? It seems to me it takes a real light brush for that stuff but some of the artists on display had mastered it.


Like all conscientious American art museums are doing these days, the museum was also taking a focus on art by Black artists. “Untitled (Marshland with Palm)” above is by Highwayman Alfred Hair, but also they had a small if stunning display of Vodou flags by Haitian artist Myrlande Constant. These were really remarkable. We have a Haitian friend whose house is filled with beautiful art, but these flags were an artform we were entirely unfamiliar with. They are so intricate, using beadwork to form scenes inspired by religious stories.


But I mentioned eclecticness. After all that Very American stuff, then the museum has the real pride of its collection, a whole bunch of mostly Etruscan artifacts. You really gotta change up your perspective as you go from one gallery to the next. Mom wasn’t too interested. The focus on the antiquities comes from an early donor, one Joseph Veach Noble. There is apparently exactly one photo of this guy, and it is fierce. But what to say about these artifacts? They were neat. The Etruscans are mysterious enough that every little glimpse into their lives is a portal into a strange and unknown world. Like a little model of a liver used for divination, that is something I would never do, use a liver to divine the future. And then of course there is also the mundane but beautiful, like a 2300-year-old fish plate with bright colors and fetching wave pattern on the side and a very useful built-in central indentation probably used for holding fish sauce. I would use that today and as always it is so amazing to see the same brushwork that they would have seen as they sat down to an evening meal.


And so yeah that was the museum. A nice place with a lot of cool art and changing exhibitions. It is strongest when focusing on art centered on Florida itself, reaching into the swampy mists to discover a side of the United States not typically part of the American canon. But artifacts are cool too!




























































































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